Woodblock Printmaking. Process, “Mandali”. Lotus Research and Design- Collaborative. Laser Engraving. A small scale mock-up prototype was produced using the laser engraving method. The small scale version will potentially be a preface to produce much larger scale versions (33”). Sample Version- 11”.
Woodblock Printmaking. Process, “Mandali”. Lotus Research and Design- Collaborative. Laser Engraving. Sample prototype- The engraving bed.
Woodblock Print. Production of the sample plate. “Mandali”. Lotus Research and Design- Collaborative. A small mock-up prototype was produced using the laser engraving method.
Woodblock Print. Process, “Mandali”. Lotus Research and Design- Collaborative.
Woodblock Print. Process, “Mandali”. Lotus Research and Design- Collaborative. The first print run.
Woodblock Print. Process, “Mandali”. Lotus Research and Design- Collaborative. Ideation. Testing the laser engraved block on the press. A small simplified version of the design was produced as a sample.
Paper Lithograph Print, Hanging Piano. 4” x 6”, 2018.
Solar Print. Process. Printing the image using various techniques. Exposing the plate in sunlight prior to manually printing on the press.
Solar Print. Hanging Piano. 4” x 6”, 2019.
Solar Print, Process. Exposing the test strip in increments to determine the exposure time.
Solar Print, Process. Printing the test strip.
Solar Print. Process, Experimenting with the image as illustration.
Solar Print. Exposing the plate in sunlight to create the image to be printed.
Solar Print. Process. Illustrated version. The inked plate.
Solar Print. Process. Illustration. The test strip is etched through exposure to sunlight prior to printing.
Solar Print. Illustration. The test strip is inked.
Collagraph. Textural background made as a collagraph with spaghetti. 26” x 40”, 2017.
Ideation. Paper Boats, 2019. Concept development for collaborative printmaking exhibition- relative theme: water. Folding origami.
Paper Lithograph Print. Process, Manual printing on the etching press.
Linocut Print. Process, “Vote Tote” Bag, Carving the plate.
Linocut Print. “Vote Tote” Bag. The inked plate.
Linocut Print on Fabric. “Vote Tote” Bag.
Paper Lithograph Print with Chine-Collé on Rice Paper, 18”x 24”, 2017.
Paper Lithograph Print, 10” x 10”, Geometric Pattern Series, 2018.
“Dissonance”, 8” x 10”. Paper Lithograph, 2018. Various methods were used to produce the design in different mediums.
“Dissonance”, 8” x 10”. Paper Lithograph, 2018.
“Dissonance”. 32” x 40”. Process, Paper Lithograph Print. Large Scale version- 32” x 40”.
Paper Lithograph Print. Removing the inked paper from the plate.
Paper Lithograph Print, The first test print shows excess ink in the image area.
“Dissonance”, 11” x 14”. Drypoint Print, 2018. The pattern was engraved into the plexiglass plate, inked and manually printed on the etching press. The smaller scale version was produced prior to engraving the larger, 40” plate.
Drypoint engraving process for printing this audio series on various mediums: The carved areas show a divide in texture on the surface of the plate; the graphic pattern beneath is used as the stencil. The engraved plate will be inked and hand printed as a drypoint print on both paper and hydrocal or plaster. Dimensions: 36” x 24”. Mediums: Drypoint and lithograph casted in hydrocal or plaster, combined with other techniques on paper. Wood burning methods will be explored. A scaled down version was first produced as a mock-up, and printed on paper and hydrocal as a working sample.
#drypointetching #drypointengraving#printmaking #printstudio#artoninstagram #audio #lithography#lithograph #drypoint
Drypoint Print. The engraved plate is inked.
#drypointetching #drypointengraving#printmaking #printstudio#artoninstagram #audio #lithography#lithograph #drypoint
Drypoint Print. The plexiglass plate is drilled by hand prior to the inking process. This version was created as a small scale mock-up for testing, before the large scale 40” version begins. It will be inked and manually printed on the etching press, and also casted in three-dimension with hydrocal.
#drypointetching #drypointengraving#printmaking #printstudio#artoninstagram #audio #lithography#lithograph #drypoint
Drypoint Print. The inked plate is casted in hydrocal, and set to cure..
#drypointetching #drypointengraving#printmaking #printstudio#artoninstagram #audio #lithography#lithograph #drypoint #plastercasting
Drypoint Print. The inked plate is casted in hydrocal and printed on plaster and paper. #drypointetching #printmaking #process #drypointengraving#printmaking #printstudio#artoninstagram #audio
Drypoint Print in Plaster. A small scale version is produced as a mock-up before creating it in large scale.
Paper Lithograph Print. Process, 12” x 50” Individual sheets are inked and pieced together on the plate to create one continuous print.
Paper Lithograph Print. 12” x 50”. The print is mounted between two plexiglass pieces.
Drypoint Engraved Plate. ‘Ghost Book’. The inked plate. #drypointprintmaking #ghost #brain-neuron #psychology #printmakingstudio #drypointengraving #print
Drypoint Print. ‘Ghost Book’ The final print. 10” x 10”. #drypointprintmaking #ghost #brain-neuron #psychology #printmakingstudio #drypointengraving #print #etchingpress #etching
Experimentations in Photography with Michael Weitzman Photographic Arts, Orotone with 24 Karat Gold on Glass. #orotone #24karatgold #photographyonglass #portraitphotography
Experimentations in Photography with Michael Weitzman Photographic Arts, Orotone with 24 Karat Gold on Glass. #orotone #24karatgold #photographyonglass #portraitphotography
Orotone Photographic Process. The image is created by printing a positive on glass plate, and applying 24 karat gold backing. Micheal Weitzman Photographic Arts.
Photography on Glass. Creating the photographic print on glass. photography #printingonglass #portraitphotography
Photography on Glass. Developing on test strips, exposing the image in increments on glass.
Exquisite Corpse- Printmaking Collaborative; 23” x 45”, 2018. Head- Christina Fesmire, Paper Lithography. Torso- Alexandra Chiara, Collagraph, Hip- Nguyen Ly- Drypoint
Furniture Design. 2010. The chair is assembled using slabs of wood and only adhesive, with a supportive structure on either side during the glueing process. The side panels are removed after the glue has hardened and cured. Pratt Institute, New York.
The structure is built to support the individual slabs during the glueing process.
The first mock-up of shape and structure is built.
The individual slabs of wood are sanded and prepared for adhesive.
The supportive side pieces temporarily support the individual slabs as the glue sets, and will be removed afterward.
Furniture Design. “Fugle Swing”. The mold is made using sheet metal to create the shape. Veneer sheets of walnut, maple and birch wood are cut, glued and pressed into the mold.
Furniture Design. “Fugle Swing”, The Royal Danish Academy of Fine Arts + Architecture, Copenhagen, Denmark.